Thursday, May 26, 2011

The Trigger Reflex – Legends of the Monster Hunter II antho

THE MARKET
  • Antho: The Trigger Reflex – Legends of the Monster Hunter II
  • Editor(s): Miles Boothe
  • Pay Rate: ¼ cent per word
  • Response Time: Under 1 Month
  • Reading Period: Open Until Filled
  • Description: More hair-raising, Hell-bent stories about the people that take the monsters down.
  • Submission Guidelines: www.pillhillpress.com

NOTE: Author D.L. Snell conducted the following interview to give writers a better idea of what the editors of this specific market are seeking; however, most editors are open to ideas outside of the preferences discussed here, as long as they fit the basic submission guidelines.

THE SCOOP

1) What authors do you enjoy, and why does their writing captivate you?
For this antho, I had three books in mind to re-read before I released the call for subs.

The first was Jaws by Peter Benchley. I’ll admit that the movie affected me more deeply than the book, but there are added dimensions and flavors that you can never get in just two hours of film, and I was particularly interested in the character of Quint. I made a few notes about the drive behind this character (who I’ve always thought of as a great monster hunter), and that set the tone for what I needed to ask for.

The next book was The Man-Eaters of Tsavo by Peter H. Capstick. I mentioned Capstick as an inspiration for Leather, Denim & Silver, and had to re-visit the true story of two African lions that killed over 100 railroad workers in 1898 (there was a movie made about this as well, titled The Ghost and The Darkness). This story has been stuck in my head since I first read it as a teen, and for me it has always been there to prove that real monsters can exist.

The third book was The Terror by Dan Simmons. I’m pretty sure that most people agree that Simmons is one of the great writers out there today, and this book is one of my favorites by him. The beast he uses, and the trap that he sets for his characters to be picked off one by one is expertly handled.

And those were what I needed – Benchley’s hunter, Capstick’s all to true account of carnage, and Simmon’s ability to coax terror out the pages.

This is what I wanted to try and conjure up as a recipe for subs!

2) What are your favorite genres? Which genres would you like to see incorporated into submissions to this market?
Dark Fantasy and Horror are again at the top of my list, and are a natural fit for this antho. Action-adventure and mystery are also a good fit. I should throw in Westerns as well, and a bit of Sci-fi.

3) What settings most intrigue you? Ordinary or exotic locales? Real or fantasy? Past, present, or future?
I’m a sucker for a “hidden” setting, something unusual, something that you didn’t necessarily know was there. If it catches my attention and draws me in without beating me purple, I’m there. I do prefer real settings over fantasy, and am interested in past or present day stories more than future, although I am warming to the idea of sci-fi.

4) Explain the type of pacing you enjoy, e.g. slow building to fast, fast throughout, etc.
For me, this depends on the story and the writing. As long as I’m drawn in, I’m up for whatever ride the writer wants to take me on.

Again, for this antho, action will be a central part of any story, so I expect to see a lot of fast pacing, but hopefully mixed with some slow, atmospheric stuff.

5) What types of characters appeal to you the most? Any examples?
Characters who experience life in unusual ways grab me every time. Someone who is motivated by deep loyalty, courage, terror, or anguish is always worth reading about.

I mentioned Quint from Jaws earlier –what makes a guy like that burn to sail after a giant shark? Or Captain Ahab? Where does Tangina Barrows from Poltergeist draw strength from?

These are qualities that readers are drawn to and want to know more about.

6) Is there a specific tone you'd like to set in your publication? What kind of voices grab you and keep you enthralled? Any examples?
I’m really hoping for all different kinds of tones. This is one area that I am wide open in, and stories built on grim determination or revenge are welcome, but I’m hoping for a wider range to balance those out. Just make it powerful.

I would still love to see at least one piece built on somber tones that would end in complete anguish.

I’m open to voice as well. Whatever moves you will probably move your readers. A lot of folks shy away from first person, but if you can pull it off, I’ll be happy to read it (there’s a trick to it, and if you have to ask, then it’s off to the research stacks with you!)

7) What is your policy for vulgarity, violence, and sexual content? Any taboos?
Violence is almost required in monster hunting, and a well-placed curse is only natural, but a poorly placed curse can be damaging, and sometimes unrecoverable. I’m not a big fan of racial slurs because 999 times out of 1000, they are gratuitous and just yank the reader right out of the story.

The same goes for sex and gore. Basically, anything that pulls the reader out of the story is undesirable. Anything that you can include that drives and enhances the story is welcome.

8) What kind of themes are you seeking most in submissions to this market? In general, what themes interest you?
I always love sideways views of society that highlight the kind of stuff you just glance past day to day. I feel like a lot of monsters can hide there as well.

I would also like to see inner strength dealt with a little more than the last time, and maybe not win.

Doubt, second-guessing, and anything else that might give the monsters an edge is always welcome as it ratchets up the terror.

9) Overall, do you prefer downbeat or upbeat endings?
I very much enjoy both. I love a triumphant hero, but I equally love a decimated squadron leaving behind only a crackling radio.

Anything goes, and I’m happy as long as I read that last sentence and wish there was more!

10) Any last advice for submitters to this market? Any critical do's or do not's?
Keep the hunters human, and the monsters non-human (at least until the end – a turned hunter is great)!

A lot of writers go to great lengths to avoid clichés, but in this genre, those stories are sometimes the best! Don’t limit yourself!

Mary Sues are boring. Exciting and emotionally wrought deaths are great. Give us something we haven’t seen before.

And, please remember to include your name, email address and a word-count on the first page of the story!

Good writing!

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For more scoops, go to www.dlsnell.com.

D.L. Snell writes with Permuted Press. He edited Dr. Kim Paffenroth twice, John Dies at the End once, and provided a constructive critique to Joe McKinney on his next major novel after Dead City. You can shoot D.L. Snell in the head at www.dlsnell.com.

To reprint this article, please contact D.L. Snell.

Monday, May 9, 2011

Editor Miles Boothe interview

Miles Boothe is the kid that always got sent home with a note from his teacher because he was daydreaming and he didn’t turn in his homework. He’s the goof that walked into the display at the bookstore because his nose was buried in one. He was all ears whenever there was a campfire and a spooky tale to be told, and later, when most kids were praying for something to not crawl out from under their bed, he was wishing really, really hard that something would.
As it turns out, the only way to make that happen is to write about it, so he does.

Miles lives in Atlanta, GA. He grew up in the woods, and misses them whenever he’s in an office for too long. He lives with his wife, son, and an ever-growing roster of dogs.

Most recently he has edited a monster-hunter anthology, Leather, Denim & Silver, for Pill Hill Press.

- SYNOPSIS

A twig snaps in the mist behind you, and you turn to see lantern eyes hanging over slavering jaws…

Most would panic, run, and within moments, die. But not the Monster Hunter.

Reflexes like coiled springs unleash with fury into the beast, and the never-ending struggle between hunter and nightmare begins with blood…

Behold Leather, Denim & Silver, a collection of monster hunting tales ranging from the frozen halls of a Russian orphanage to the steamy jungles of the Congo. Hunt the foggy streets of London, moonlit New Orleans, and prowl the Old West as hunters square off against bloodthirsty werewolves, vampires, demonic spirits, and devils escaped from legend.

Creatures will die. Hunters will die. But no one will go without a fight…


- TOC

The Werewolf Hunters
  1. "Reasons to Kill" by Shelley Ontis
  2. "The Artist as Wolf" by Joshua Reynolds
  3. "Wolfers" by Matthew Baugh
  4. "The Message of the Wolf" by Gary Buettner
  5. "Wolf’s Pawn" by Chris Lewis Carter
  6. "The Hunter’s Moon" by James Ossuary
  7. "The Artist as Wolf" by Joshua Reynolds
  8. "Antler & Eye" by Kate Shaw
  9. "Black Horse Trading Company" by Miles Boothe
The Vampire Hunters
  1. "The Vampire Hunter’s Requiem" by John X. Grey
  2. "Alderwood and Old Lace" by Aleta Clegg
  3. "The Rookie" by Jennifer L. Barnes
  4. "Two-For-One Chinese Special" by Derek M. Koch
  5. "The Fullness of Your Truth" by Eric Pollarine
The Spirit Hunters
  1. "Spirit in Black" by Thom Brannan
  2. "Nadya’s Nights: Frost" by Indy McDaniel
  3. "The Oni" by Heather Whittington
  4. "Murder in Thy Name" by Elisa F. B. Ramirez
  5. "Weeping Woman" by H.J. Hill
The Monster Hunters
  1. "Tentacles & Petticoats" by T. W. Garland
  2. "Kudzu Jesus" by Edward McKeon
  3. "Windigo Dreams" by E.M. Macallum
  4. "Godspore" by Marc Sorondo
  5. "Fish Out of Water" by Liam Cadey
  6. "The Carpetbagger" by A. J. French
  7. "The Gargoyle’s Curse" by Mhairi Shaw
  8. "Finally, the Source" by Chris Nadeau
  9. "Capital Vices" by Lina Branter
  10. "Asanbosam" by Angela Meadon
  11. "The Last Payday of the Killibrew Mine" by John M. Whalen

D.L. Snell: Thanks for joining us, Miles! I see you on the Permuted Press forum all the time but have never taken the chance to really chat with you. It’s great to have you on!

Miles Boothe: Thanks! I’m a huge fan of Permuted, and it’s one of the forums I haunt on a regular basis. heh

DLS: To start, I’d like to solicit something self-serving. 

Earlier in the year, you filled out a Market Scoop for Leather, Denim & Silver (LD&S). How do you think your scoop influenced the submissions you received afterward, both in quality and quantity, and accuracy to the theme? And… I heard the scoop helped garner something especially cool for the antho, is that right?

MB: The Market Scoop was absolutely vital to this book in a couple of ways. First, you listed it on Dark Markets, and up to that point I had only posted it on Ralan’s and Duotrope. A good number of folks who wound up in the book learned about it from Dark Markets, including—and this was beyond cool—Brian P. Easton.

In the Scoop, I had mentioned how much I had enjoyed both of Brian’s novels (Autobiography of a Werewolf Hunter and Heart of Scars). I also mentioned how much those books inspired me to create a monster-hunting themed anthology.

Brian saw the scoop on Dark markets, and when all was said and done, very generously wrote the Foreword for the book!

So, in a nutshell, your Market Scoop was how the Godfather of Monster Hunting wound up writing the Foreword for this book, which makes both of you some of the coolest cats in the business!

DLS: Thanks, Miles! So is Leather, Denim & Silver the first thing you’ve edited, or have you done other projects before that?

MB: This is my first official editing job. I’ve had a few stories published, edited a few friends works, and participated in a couple of shoot-outs with Pill Hill Press. But, last year, after reading Brian’s books and searching for more monster hunting stories, I realized that it was time for a monster hunting antho. I knew Jessy from Pill Hill from the shootouts, and we talked about it a bit, then launched it.

DLS: LD&S is subtitled Legends of the Monster Hunter. What inspired the theme of the anthology?

MB: Simply put, the absence of monster hunting stories! With the advent of e-books, you really can scratch an itch for almost anything whenever you want, which is cool. But, if you get hungry for a monster-hunting tale, there’s just not a lot out there, and I figured it was time for more.

DLS: Looking at the table of contents for LD&S, I can see you have a promising stable of authors, and some interesting titles. What kind of monsters get corralled here?

MB: We’ve got all sorts of creatures in this one—I started with Werewolves as a nod to Brian, and because the theme of the cover is Werewolf-Western. Next is the Vampire section, and those two make up the first half of the book. Demon hunting was very popular, so the next section is dedicated to spirits, and this includes Ghosts, Bog Mummies, and some other spooky stuff. Then, we finish up with a rogues-gallery of creatures, ranging from a Thing-like plant monster, an African folklore nightmare, and a Lovecraftian-Steampunk story.

All in all, the monster-hunting bases are well covered!

DLS: If you could be any one of these monsters, which one would it be? Why?

MB: I have to go with the Werewolf from Joshua Reynolds’ “The Artist as Wolf.” The story is amazing, and the Werewolf is smooth, twisted, and comes across like he has a very, very good time with his life.

DLS: Introduce us to some of the notable hunters in the anthology. Any recognizable public domain characters?

MB: You know, we asked for, and got, some really original stuff. But, there are a few folks you may recognize. Ded Moroz of Russian Mythology and a thinly veiled Odin and sons from Norse mythology are a few.

DLS: If you were a hunter, which monster in this anthology would you pursue and why?

MB: That’s easy – the Asanbosam, from the story titled “Asanbosam” by Jennifer Barnes. It takes me back to my safari days, and even though the ending to this one is tragic, I loved the hunt and the memories.

DLS: A few questions about the editing process: What’s your method? How many drafts do you and the writers go through? Do you use Track Changes?

MB: I went through multiple drafts myself, this being my first antho. I tried to use Track Changes in the beginning, but had a few problems with it, so I wound up just bolding all of the edits so that the authors could compare it to what they had written.

DLS: You’re a writer as well. How did you get into it, and where can we find your work?

MB: I think I’m like most other writers in that I started reading when I was very young, then started messing around with writing after that. I kept reading, but put writing on hold for a while, then, a few years ago, I just started back into it and kind of haven’t stopped, heh.

DLS: Last question—what’s in your near future? Any writing projects? A Leather, Denim & Silver 2? And—a more pressing issue—when and where can we get a copy of the first LD&S?

MB: A second volume has just been given the green light! It will be titled The Trigger Reflex – Legends of the Monster Hunters II, and the call for submissions has just been posted at PillHillPress.com!

For personal projects, I’ve got a couple of novels I want to finish this year, a few shorts I want to submit, and a website in desperate need of an update.

But for now, Leather, Denim & Silver is available at www.PillHillPress.com, Amazon, and BN.com

DLS: Thanks, Miles—it’s been fun! We’ll definitely be doing a Market Scoop for The Trigger Reflex – Legends of the Monster Hunters II.

MB: It’s been a blast! Thank you again for everything!


For more scoops, go to www.dlsnell.com.

D.L. Snell writes with Permuted Press. He edited Dr. Kim Paffenroth thrice, John Dies at the End once, and provided a constructive critique to Joe McKinney on his next major novel after Dead City, Apocalypse of the Dead. You can shoot D.L. Snell in the head at www.dlsnell.com.

To reprint this article, please contact D.L. Snell.

Thursday, May 5, 2011

Grand Mal Press

THE MARKET
  • Publisher: Grand Mal Press
  • Editor(s): Darren Heath
  • Pay Rate: Token advance, 15% of ebook, 10% on paperback
  • Response Time: 2-3 months (for novels)
  • Reading Period: currently open to all
  • Description: Grand Mal Press is a new publisher of speculative fiction, including horror, sci-fi, mystery, and more
  • Submission Guidelines: grandmalpress.com

NOTE: Author D.L. Snell conducted the following interview to give writers a better idea of what the editors of this specific market are seeking; however, most editors are open to ideas outside of the preferences discussed here, as long as they fit the basic submission guidelines.

THE SCOOP
1) What authors do you enjoy, and why does their writing captivate you?
I enjoy a fast moving story with lots of originality. Economy of prose is important to me.... I want to let the story carry me away, I don't want to read complicated sentences. Prose should always flow in a way that is unnoticeable. I also enjoy realistic dialogue that moves the plot. In that regard, some authors I enjoy are Asimov, Pohl, Lansdale, Terry Pratchett, Douglas Adams, Richard Morgan, Stephen King, Jack Ketchum, Neil Gaiman, George R.R. Martin, Michael Marshall Smith.

2) What are your favorite genres? Which genres would you like to see incorporated into submissions to this market?
We are looking for a bit of diversity. So we'd like Horror, Sci-Fi, Mystery, mashups (or other public domain-related projects that are unique), as well as humorous speculative works in the style of Douglas Adams, et al.

3) What settings most intrigue you? Ordinary or exotic locales? Real or fantasy? Past, present, or future?
Again, we have diverse tastes. One of my editors really enjoys sci-fi set on other worlds, where as I love a good thriller set on Earth. But that's not to say I don't also read sci-fi set on distant worlds. The only thing that we, personally, are not crazy about is fantasy. However, we are looking for an editor who enjoys that genre so we can eventually include it.

4) Explain the type of pacing you enjoy, e.g. slow building to fast, fast throughout, etc.
I prefer a strong introduction that hooks me. After that it can get a bit slow, but as I mentioned above, I enjoy a book that reads pretty quickly and has a "ticking clock." I have read too many 1,000-page novels that just bore me with extraneous exposition and pointless scenes, whereas a quick 300 pager, if done economically, can leave me feeling like I spent my time well.

5) What types of characters appeal to you the most? Any examples?
I prefer male heroes/anti-heroes, especially detectives. Both the Robot series and Foundation series by Asimov are good examples. Or novels by Andrew Vaachs and Joe Lansdale. I recently read a novel called Sandman Slim which was the perfect amount of anti-hero mixed with a supernatural thriller. Stuff like that will catch my attention. Our other editor enjoys strong heroines and female characters. I am not very fond of vampires and werewolves, unless there is a truly unique twist applied.

6) Is there a specific tone you'd like to set in your publication? What kind of voices grab you and keep you enthralled? Any examples?
We are striving to have the perfect mix of great writing and great stories. It's hard to say that any one voice exemplifies that. Douglas Adams enthralls me, as does Frank Herbert, and they're two totally different styles. The key is that both have a storyteller's voice for words. Tell me the story in as fluid a way as possible. Get me lost in the words without me knowing it.

7) What is your policy for vulgarity, violence, and sexual content? Any taboos?
The usual. No sex with minors, no racism, no needless descriptions of cruelty... unless they serve the story in some manner. There's absolutely no need to describe a rape in such vivid detail that I'm grossed out, even if it explains the character's motivations. There are other ways to write that kind of scene. As for gore, it's fine but it needs to serve the story.

8) What kind of themes are you seeking most in submissions to this market? In general, what themes interest you?
We just want fresh ideas within proven themes, which hopefully doesn't sound too contradictory. If it's too weird we can't market it, but if it's a new take on something people already like, then that's perfect.

9) Overall, do you prefer downbeat or upbeat endings?
Depends on the story. I do like when the hero lives at the end. But that's just me.

10) Any last advice for submitters to this market? Any critical dos or dont's?
Just be sure to read our guidelines to see how we want stuff formatted. Feel free to query first, or at any time during the reading period.


For more scoops, go to www.dlsnell.com.

D.L. Snell writes with Permuted Press. He edited Dr. Kim Paffenroth twice, John Dies at the End once, and provided a constructive critique to Joe McKinney on his next major novel after Dead City. You can shoot D.L. Snell in the head at www.dlsnell.com.

To reprint this article, please contact D.L. Snell.

Monday, May 2, 2011

Texas Frightmare Weekend 2011

Historically, I have been to only two horror conventions, both of them Horror Realm. Each time, I was a guest, vendor, and panelist.

In October I will add a fourth convention to the list: zomBcon! I'll be attending with guests like:
  • Jonathan Maberry
  • Tom Savini
  • Sid Haig
  • Bill Moseley
  • Rose McGowan
  • Sam Trammell
  • and loads of other cool stars!

"But wait," you might be thinking. "Snell just said he's only been to two conventions in his life. How can zomBcon possibly be his fourth?! Did he simply not proofread? Or could his two years at Horror Realm possibly be cool enough to count as three cons? And why am I paying that much attention to Snell's post???"

Before you offer to edit my blog for a steep, unrealistic price... look at the first word of this post. It's a qualifier. Because recently—in fact, just this weekend—I attended my third horror con (the red below is supposed to be blood; just imagine it in Chiller font):


 TEXAS FRIGHTMARE WEEKEND
 NOTE: These videos say "by dlsnell," but YouTube's lying

This time around, I was only an attendee, not a guest. But as usual I went with Jacob Kier from Permuted Press; he's kind of my sidekick. I arrived at the airport alone, and had to wait thirty minutes for the hotel's courtesy van—or, as we now call it, the "no courtesy" van. Jacob, who had also taken the shuttle earlier that night, told me it would be quicker just to walk. "It's only like 9 miles," he'd texted.

At about 1 a.m. I arrived at the hotel.

I didn't tip.

That whole weekend, Jacob and I just kind of wandered around the vendor rooms, dressed like two clean-cut college kids at a rave for furry Mogwai, Cenobites, and humanoid pigs (everyone was dressed up, mostly in their own bare skin, sometimes in Freddy Krueger's). We also ate at Denny's more than any self-respecting insomniac Goth; stayed up till 5 a.m. every night, watching episodes of Garth Marenghi's Darkplace; avoided the creepy Dieter Laser, and the greasy-paint Sid Haig; and once, we even gladly waited to use a restroom temporarily reserved for a VIP who shall remain nameless. Okay, okay, I'll give you a hint: this person is English and had polyps, not cancer, removed from his throat. I repeat, it was NOT cancer. Which was such a relief to hear.

Don Coscarelli
All right, you get one last hint: the VIP was not writer, director, producer Don Coscarelli. But Jacob and I did meet Don as well. This is the guy who brought us Phantasm and The Beastmaster. He's also the guy who's making a film out of John Dies at the End, an old Permuted title by David Wong. Jacob, of course, published the book. And I edited it. So we went to hassle Don at his vendor table. He's a nice guy! And... do you want to know how he really found John Dies at the End? No, he didn't smoke some of Wong's nasty, multidimensional hallucinogen, "soy sauce," which enables you to know every fact in the universe. Actually, as it turns out... he's a big fan of Permuted Press!

Keep up the good work, Don Coscarelli!

On Saturday, Jacob and I attended Robert "Freddy" Englund's Q&A, which was awesome—even if I had tinnitus afterward. Englund had lots of funny and interesting things to say at excruciating volume, but one thing in particular really rung in my ears. He was talking about Nicolas Cage in Peggy Sue Got Married. Englund says a lot of actors are very concerned about portraying the truth of their own character. But sometimes—and this is something Englund says Nick Cage got absolutely right in Peggy Sue—sometimes it's more important to portray your character through the eyes of another character. This same point is so important for a writer to understand. And any great writer gets it. But it's so important to be reminded, so I'll reiterate:

Sometimes it's not about portraying the truth of a character, but the truth of that character through the eyes of someone else. 

Thank you, Freddy Krueger, for reminding me how important perspective is.

"You're welcome."

Other than that, Jacob and I wined, dined (at a Mexican restaurant that let you bring your own beer), and partied with friends like author and Texan Rhiannaon Frater, Kody Boye, editor Felicia Tiller, Laura and Robert R. Best (who we're now calling "The Best"), Patrick "Unoshato" Rooney, The Vic, and so many more. I also got to meet a few new guys, like Tony Faville and Lyle Perez-Tinics. Great guys. And Tony even lives near me, so there might be some author events in our future.

Overall, we had a blast!

Oh... one last thing: snagged in the carpet of the room I shared with Jacob was someone's used safety pin. Everyone who's read Heart-Shaped Box or anyone who knows how long hepatitis can live outside the human body will understand why I'm a bit paranoid after stepping on that pin. But no matter what Jacob Kier tells you...

No, I don't now have AIDS.

If anyone else wishes to share their Texas Frightmare experience, please sound off in the comments below!



For more scoops
, go to
www.dlsnell.com.

D.L. Snell writes with Permuted Press. He edited Dr. Kim Paffenroth thrice, John Dies at the End once, and provided a constructive critique to Joe McKinney on his next major novel after Dead City, Apocalypse of the Dead. You can shoot D.L. Snell in the head at www.dlsnell.com.

To reprint this article, please contact D.L. Snell.

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